Oceanic Art Society

Promoting the understanding and appreciation of Oceanic art.

All published stories from the OAS Journal

The APT10 Experience

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Queensland Art Gallery & Gallery of Modern Art (QAGOMA) until 25 April 2022 Reviewed by Krisztina Turza APT10 Objective The highly anticipated 10th Asia Pacific Triennial of Contemporary Art (APT10) is a major milestone in the flagship exhibition series of the Queensland Art Gallery & Gallery of Modern Art (QAGOMA). This behemoth effort of the curators […]

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Tattooed History: The Story of Mokomokai

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2021, 180 pages, Robert K. Paterson, 5 continents www.fivecontinents.com Reviewed by Crispin Howarth Every once in a while, a publication comes along which deep dives into a specific Pacific subject. This is one of those rare publications and it is likely to be the sole reference for these cultural objects for some time to come. […]

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Pacific Views

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Photography gallery, Chau Chak Wing Museum, University of Sydney. Until 24 July 2022. Reviewed by Bill Rathmell and Margaret Cassidy Time flies and passes, and only our death manages to catch up with it. Photography is a cleaver that grabs a stunning moment in eternityHenri Cartier-Bresson This exhibition is jointly curated by Jude Philp of […]

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Balgo: The Creative Country

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2021, 396 pages, John Carty, UWA Publishing Crawley WA Review by Margaret Cassidy While in my final term break of my undergraduate degree in Art History in 1986 I visited the Adult Education Centre at Balgo (Wirrimanu), a remote Aboriginal community on the edge of the Great Sandy Desert at its intersection with the Kimberley […]

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Sydney Oceanic Art Fair – SAOF 2021

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by Bill Rathmell The COVID-19 pandemic restrictions lifted in Sydney in time for SOAF 2021 to be held, complete with masks and vaccination checks at the National Art School on Saturday 6 November. The crowd seemed very happy to be seeing objects and art in the real – as opposed to in a digital format! […]

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When plastic becomes sacred, George Nuku’s Bottled Ocean project

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By Garance Nyssen On 14 July 2019, in the port district of the Gabut in La Rochelle, south-western France, George Nuku was hurrying to finish a large whale made from transparent green, blue and red bottoms of plastic bottles[1]. Children had been making jellyfish all afternoon with the help of Nuku and Mathilde, his spouse, […]

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Hermannsburg: the Barossa Connection

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By Sally Goers Fox This recent exhibition in the Barossa Regional Gallery in Tanunda, South Australia highlights the longstanding relationships and reciprocity between the Barossa Valley and the Hermannsburg/Ntaria community of Central Australia.[1]  It is a tangible representation: revealing to the community not only the art which has stemmed from the Hermannsburg school of watercolour […]

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Pacific artists respond to Matisse

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Matisse Alive exhibition at the Art Gallery of New South Wales 23 Oct 2021 – 3 April 2022 Review by Margaret Cassidy Artist projects from around and across the Pacific, including significant collaborative projects by Pacific Islander artists form a significant part of the contemporary response to work of Henri Matisse in the Art Gallery […]

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