Promoting the understanding and appreciation of Oceanic art.
Lecture by Michael Hamson, Savage Club, Melbourne, 21 October 2017 This article continues on from Part One which appeared in the last edition of the OAS Journal where Mr. Hamson looked at the criteria of Age; Technical Virtuosity, and Clarity in assessing New Guinea art. Colour It is hard to over-emphasize the importance of colour […]
Based on a presentation by Sam Singer at the OAS Savage Club Forum, 2017 I want to thank OAS for bringing all of us, scholars, collectors, museums, dealers, and auction houses together for this auspicious and exciting symposium. My father, J.R. Singer, was a navigator on the ships of U.S. Army Transport Service in World […]
Dawn of a new era. The Tribal Art Fair Sydney-2018 was held on Saturday 21 July at a fabulous new venue: the heritage National Art School “Cell Block” building in Darlinghurst. A great success. This could be the start of an ever-expanding oceanic art fair in the antipodes. The new banner designed by Warwick Majcher […]
by Jim Elmslie Oceanic art creates fascination on many levels. In this edition of the OAS Journal we look at two quite different ways of seeing traditional artefacts. To Dr. Michael Mel, a Papua New Guinean scholar who grew up in a Highlands village before setting off on his own personal odyssey, they are the […]
By Angel Bottaro The preservation of Aboriginal breastplates, with a degree of empathetic imagination, evoke powerful stories of colonisation. The physical weight of the objects around one’s neck and the ascriptions given to them – gorgets, brass shields, but most commonly ‘King’ and ‘Queen’ plates – made them highly charged and politicised objects from the […]
Betni Kalk is a professor of Design at Creighton University in Omaha, Nebraska. As the daughter of missionaries, Betni grew up in the East Sepik Province in Sawiyano territory. She returned as a college student and later asked permission from the elders to film their lives, with them deciding which aspects of their lives to […]
Lecture by Michael Hamson, Savage Club, Melbourne, 21 October 2017 Introduction Aesthetics by definition are subjective — being one’s response to and appreciation of beauty. That subjective dimension becomes even more pronounced when discussing artifacts made by another culture where beauty may not have been a facture when producing the object or a facture important […]
Jim Elmslie talks with the West Pacific Collection Manager from the Australian Museum about his life and the concept he has developed of museums being a Ples Namel– or middle place, between different peoples, cultures and objects. JE Michael you have had a long and interesting journey from the highlands of Papua New Guinea to […]
by Crispin Howarth The Prince Alexander Ranges in northern Papua New Guinea are home to a number of cultures. The largest group are the Abelam with a population of some 50,000 whose arts have heavily influenced their neighbours – the Arapesh and the Yangoru-Boiken people. These communities share artistic and cultural overlaps with the Abelam […]
Paula Latos-Valier is the Art Director for the Sir William Dobell Art Foundation and chairs the Gallery Advisory Committee for the SH Ervin Gallery. She serves as Vice President of the Art Gallery Society of NSW, and is a consultant for the Biennale of Sydney’s Archive Project. Her former positions include VP of the OAS, […]
