OAC Journal Cover Stories

Some cultural artefacts or events become touchstones of a culture. The elaborate masks prepared for participation in the Fire Dance Ceremonies of the Central Baining in East New Britain, Papua […]

Personal experiences and personal passions are a common theme in this edition. Everyone who attended his fascinating lecture for the Oceanic Art Society in October 2021, would be aware of […]

This edition of the Journal includes articles about the early encounters between European missionaries and Aboriginal Australians in Central Australia and European anthropologists and people from the Torres Strait and […]

Being agile and pivoting are words long associated with innovation and the tech world. However, they are now commonly being used in the art world to describe the quick responses […]

Oceanic art can be studied from a number of angles. This art can be approached from an anthropological or ethnographic aspect and from the perspective of art history or visual […]

The summer of 2020-2021 has seen the opening of some significant new or renovated/expanded museums from the east to the west coast in Australia. Those of us in Sydney have […]

Photo Caption: The 2012 OAS Forum at the SA Museum. Photo by Michelle Haywood.  2020 is a very significant milestone in the history of the Oceanic Art Society. As is outlined […]

This edition of the Journal features Barry Craig’s account of the Pacific collection at the new Wantok Place Museum in North Adelaide as well as Jim Elmslie’s story behind the recent sales with remarkable provenance of works from the Hermannsburg school in Central Australia. We’ve introduced a new feature, the President’s Corner, where Bill Rathmell interviewed Nick Mitzevich, Director of the National Gallery of Australia, following news reports of the deaccession of Pacific pieces from the collection.

The worldwide virus lockdown has hit all aspects of art and culture particularly hard. Cultural spaces and gatherings are often run on a low budget and it is hard to […]