Camp Paradise by Yuki Kihara
At Powerhouse Ultimo, Australia until 31 December 2023 Reviewed by Margaret Cassidy Post-impressionist French artist Paul Gauguin’s images of the Pacific are probably the most well-known of the range of …
Modern encounters with the past
Living in Sydney we are in a year of magnificent Oceanic art exhibitions. It is a great time to be developing a greater understanding and hence appreciation of Oceanic art …
‘In the manner of’ – forged artefact to return of ancestral remains
by Crispin Howarth Image Caption: Shane James uses the pūkaea (horn) to signal our arrival and that we can approach the wharenui. Image courtesy Mark Tantrum. The National Gallery of Australia is now into …
Cultural Identity, Our Greatest Asset
by Lesley Wengembo Presented at the Sydney Oceanic Art Fair at the National Art School in 2021, updated in 2023 My life as an artist, the challenges I experienced in …
The Ainu “Bear-Sending” Ceremony
by Krisztina Turza The Ainu (meaning ‘human’ in their native language) are Japan’s oldest indigenous people, and they have survived and maintained their culture from the Late Palaeolithic period through …
Pop Up Art Show: Featuring Work by Grim Jordan and Lesley Wengembo
25 & 26 February at the One + 2 Artist Studio Balmain, Mansfield Street, Rozelle, NSW. Review by Rita Uechtritz & Margaret Cassidy In many ways the work of two …
The National 4: Australian Art Now exhibition
Museum of Contemporary Art, Sydney, 31 March – 9 July 2023 Image caption: Ivi, Kato Kakala (detail), 2022–23. Installation view, The National 4: Australian Art Now, Museum of Contemporary Art Australia, Sydney, 2023. ngatu (barkcloth); single-channel …
Transformation and Understanding
Developing a greater understanding and hence appreciation of Oceanic art is surely the aspiration of all readers of this Journal. The place from which each reader and viewer commences this voyage …