Pop Up Art Show: Featuring Work by Grim Jordan and Lesley Wengembo
25 & 26 February at the One + 2 Artist Studio Balmain, Mansfield Street, Rozelle, NSW. Review by Rita Uechtritz & Margaret Cassidy In many ways the work of two …

25 & 26 February at the One + 2 Artist Studio Balmain, Mansfield Street, Rozelle, NSW. Review by Rita Uechtritz & Margaret Cassidy In many ways the work of two …

Museum of Contemporary Art, Sydney, 31 March – 9 July 2023 Image caption: Ivi, Kato Kakala (detail), 2022–23. Installation view, The National 4: Australian Art Now, Museum of Contemporary Art Australia, Sydney, 2023. ngatu (barkcloth); single-channel …


Developing a greater understanding and hence appreciation of Oceanic art is surely the aspiration of all readers of this Journal. The place from which each reader and viewer commences this voyage …

by Lisa Hilli In late 2020, I was invited to be part of a curatorial advisory at the Stedelijk Museum Amsterdam. Led by former curator of Modern Art, Beatrice von Bormann, …

by Adrian Newstead Have you ever wondered how it is that Aboriginal art became an international phenomenon with pieces selling for thousands, even hundreds of thousands of dollars, while indigenous …

This speech was presented by Steven Gagau at the opening of Ömie barkcloth: Pathways of nioge Exhibition, Thursday 9 February at the Chau Chak Wing Museum Today’s launch is an exciting exhibition …

2022, 215 pages, Leah Lui-Chivizhe, The Miegunyah Press, Melbourne University Publishing Review by Stan Florek I opened this book with great anticipation. My interest in Torres Strait Islander culture and …

2023, 352 pages, Elise Patole-Edoumba & Helene Guiot, La Geste www.gesteditions.com Review by Pierre Laffont Thanks to an alert on the Oceanic Art Society’s Facebook page, I participated in the …

Hurstville Museum and Gallery – 29 October 2022 to 29 January 2023 Review by Margaret Cassidy At the OAS Adelaide Forum in November 2022 keynote speaker Djon Mundine (Bandjalung) presented …
