Shield shifts: redefining provenance in north-eastern Australia
By Philip Jones ‘Provenance’ is a flexible term. Its meaning and its relevance may shift from one context or another. In the art and artefact market it usually refers to …

By Philip Jones ‘Provenance’ is a flexible term. Its meaning and its relevance may shift from one context or another. In the art and artefact market it usually refers to …

Image Caption: Speakers at the 2023 OAS Forum in Melbourne. Image: Margaret Cassidy. Australian members have experienced a rich range of Oceanic Art experiences in recent months. A major highlight was …

by Ross Bowden The documentary Cannibal Tours, by the self-described ‘existential anarchist’ Australian film maker Dennis O’Rourke, has had a significant impact on the anthropological world since it was released almost …

by Margaret Cassidy Thirty attendees of the Oceanic Art Society Forum 2023 had the good fortune to join one of three small group tours of the stored Oceanic collections housed …

by Kajetan Fiedorowicz, Melbourne Joost Daalder was born in the Netherlands and studied at Amsterdam, Cambridge and Edinburgh Universities before moving to New Zealand with his wife Truus in 1966 …

What this fascinating and informative exhibition shows is that Pacific Islanders have been visiting the Sydney area since the days of the Endeavour, sharing their rich cultures and artistic practices.

Adelaide lays claim to being at the heart of Australian Aboriginal art with its annual Tarnanthi (come forth and appear) Fair including exhibitions at the Art Gallery of South Australia, other galleries across Adelaide and art fair, featuring the work from over 40 art centres across Australia.

2022, 352 pages, edited by Wukuṉ Waṉambi, Henry Skerritt and Kade McDonald, published by Kluge-Ruhe Aboriginal Art Collection of the University of Virginia, Charlottesville, USA and Delmonico Books, New York, …
