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Oceanic Art Society Australia

Oceanic Art Society

Promoting the understanding and appreciation of Oceanic art.

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Stories from all OAS Journal Volumes

Navigating for a Place in the Museum: Stories of Encounter and Engagement between the Old and the New from the Highlands of Papua New Guinea

07/06/2020 Lectures, V25 Issue 2

A paper by Dr Michael Mel, Australian Museum. Reviewed by Bill Rathmell Michael Mel, the Manager of Pacific and International Collections at the Australian Museum in Sydney, is well known …

Obituary – Barbara Perry

07/06/2020 In Memoriam, V25 Issue 2

13 August 1938 – 10 November 2019. By Ron May Barbara Perry was a larger than life character, well known in Oceanic art circles in Sydney, and later in Brisbane. …

War Art & Ritual: Shields from the Pacific

06/06/2020 Book Reviews, V25 Issue 2

Edited by Bill Evans, Two Volumes, 518 pages, 140 Shields illustrated with additional images, eight essays and introduction. Published by William Nathaniel Evans, Woollahra, NSW, Australia, 2019. Reviewed by James …

San Francisco Art Fair 2020

06/06/2020 Art Fairs, V25 Issue 2

By Krisztina Turza When I boarded the plane from Brisbane to San Francisco in February as a last minute decision, I could not have imagined that rather than the first, …

Noah’s Art – Floating art galleries of Indonesia

06/06/2020 Lectures, V25 Issue 2

by Jeffrey Mellefont, Honorary Research Associate, Australian National Maritime Museum The subject of my recent lecture to Oceanic Art Society (OAS) in March – the artistry that can be found …

Hongi Hika: The Legacy Continues

08/03/2020 Cover Story, V25 Issue 1, Volume 25

Modern research continues to reveal secrets long held in uncatalogued documents and artefacts in rich archives. The centrepiece of this edition is the story of current research to identify which …

Three busts and a cape – the adventurous life of Hongi Hika

08/03/2020 Lectures, V25 Issue 1

Story by Brent Kerehona | Image Caption: Bust of Hongi Hika, possibly self-portrait, carved 1814 in Parramatta, NSW Australia. Brighton Hove Museum, United Kingdom, photo © Brent Kerehona. Ki te …

Easter Island at the NGA

08/03/2020 Exhibitions, Exhibitions, V25 Issue 1

Story By Crispin Howarth | Photo Caption: Rapa Nui (Easter Island), Moai Kavakava, 18th-mid 19th century. Wood, bone, obsidian. Private Australian collection. There is perhaps nowhere in the world as isolated …

Warren Campbell of Bubble Artefacts

08/03/2020 Interviews, V25 Issue 1

Interview by Jim Elmsie | Photo Caption: Rapa Nui (Easter Island), Moai Kavakava, 18th-mid 19th century. Wood, bone, obsidian. Private Australian collection. Jim Elmsie: Warren Campbell, can you explain what Bubble Art …

War Art & Ritual Shields from the Pacific

08/03/2020 Book Reviews, V25 Issue 1

2019, 2 vols boxed, 484 pages, Bill Evans (ed), private press Bill Evans, Sydney, 750 copies. Reviewed by Crispin Howarth This is an ambitious work, signalling the culmination of a …

Leonard French – An Australian Artist Inspired by Melanesia

08/03/2020 Collectors, V25 Issue 1

Story by Reg MacDonald | Photo Caption: The late Leonard French in his home cum studio, a 19th century mill at Heathcote, Central Victoria. In the shadow box above his …

Mathias Kauage, PNG Artist

10/12/2019 Artists, V24 Issue 4

Image: Mathias Kauage at Ray Hughes Gallery February 1999. Image by Ben Rushton. Mathias Kauage O.B.E. was Papua New Guinea’s best known and most highly awarded artist of the contemporary …

Another Successful Tribal Art Fair Sydney

10/12/2019 Art Fairs, V24 Issue 4

by Bill Rathmell The Tribal Art Fair Sydney, held by the Oceanic Art Society at the National Art School on 17 August, may not be described as the only one …

Notes on Dumont d’Urville

10/12/2019 Collections, V24 Issue 4

One of the early French navigators whose collection will be viewed in La Rochelle on the OAS Pre-2020 Parcours Tour of South West France. By Pierre Laffont Dumont d’Urville survived three circumnavigations …

OAS tour of South West France Galleries

10/12/2019 Museums, V24 Issue 4

Pre-2020 Parcours des Mondes If enough members are interested in viewing the Oceanic Art collections from early French navigators and collectors, the Oceanic Art Society, under the direction of Pierre Laffont, …

An Awan for SAM

10/12/2019 Artefacts, V24 Issue 4

by Jim Elmslie Caption: The Awan with Sophie Parker, of ArtLab, Adelaide, South Australia. Image credit: Alice Beale. This large body-mask, called a tumbuan in tok-pisin, comes from the  Iatmul people of the …

Poka Francis – Mountain Carver from PNG

10/12/2019 Exhibitions, V24 Issue 4

Image: Centre: Poka Francis in Koranigle, 2017. Photo courtesy Helen Dennett. Left: Arbelo ensnared by python c2002. Right: Soldier c2002. Poka Francis lives in the village of Koranigle, in Simbu Province, …

An Australian at the 2019 Paris Parcours des Mondes

10/12/2019 V24 Issue 4

by Noelle Rathmell-Stiels It’s still really the only one of its kind in the world! The eighteenth iteration of the Parcours des Mondes International Art Fair was held from 10 to 15 …

Curiosity Remains a Driving Force

10/12/2019 Cover Story, V24 Issue 4

Image: Mathias Kauage ‘Independence Celebration 1999’, Andrew Baker Collection. Image by Mick Richards. The desire to know – curiosity – has long been a motivating force in human endeavour. In …

PNG highlands dancer

The Story Keeps Unfolding

03/09/2019 Cover Story, V24 Issue 3, Volume 24

With so much information available in the modern digital age it sometimes feels that we know, collectively, almost everything. In this edition Professor Ian McNiven shows us that this is …

Margaret White, of the Australian Museum

Australian Museum’s Cultural Collections Centre Opens in Western Sydney

03/09/2019 Museums, V24 Issue 3, Volume 24

By Bill Rathmell, OAS President Half-a-dozen members of the Oceanic Art Society were present on 30th July at the opening of the “Cultural Collections Centre”- the new storage for the …

Beyond bridge and barrier: Torres Strait and curious artefact distributions between Queensland and New Guinea

03/09/2019 Research, V24 Issue 3, Volume 24

By Professor Ian J. McNiven, ARC Centre of Excellence for Australian Biodiversity and Heritage, Monash Indigenous Studies Centre, Monash University, Melbourne During the nineteenth century Europeans became increasingly aware of …

Wylda Bayrón at Le Musée de la Castre, Cannes

03/09/2019 Exhibitions, V24 Issue 3, Volume 24

by Chris Boylan  Dominating the hill overlooking Cannes city and the Mediterranean is the ancient medieval castle and tower, now the  ethnological museum, of Cannes, Le Musée de la Castre. The …

Massim Canoes – drawings of the unique outrigger canoes from the Solomon Seas

03/09/2019 Expeditions, V24 Issue 3, Volume 24

Tasman Light Gallery, National Maritime Museum, Sydney – 1 August to 29 September 2019 The Massim culture of Papua New Guinea is home to a unique collection of colourful outrigger …

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