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Oceanic Art Society

Promoting the understanding and appreciation of Oceanic art.

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An Awan for SAM

10/12/2019 By Oceanic Art Society Australia

by Jim Elmslie Caption: The Awan with Sophie Parker, of ArtLab, Adelaide, South Australia. Image credit: Alice Beale. This large body-mask, called a tumbuan in tok-pisin, comes from the  Iatmul people of the Middle Sepik River, PNG, and played an important role in traditional ritual life. Initially it was thought to pertain to the naven ceremony of the Iatmul people […]

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Filed Under: Artefacts, Members Only, V24 Issue 4

The Social Life of Aboriginal Breastplates: Encoded Objects of Colonisation

11/06/2018 By Oceanic Art Society Australia

By Angel Bottaro The preservation of Aboriginal breastplates, with a degree of empathetic imagination, evoke powerful stories of colonisation. The physical weight of the objects around one’s neck and the ascriptions given to them – gorgets, brass shields, but most commonly ‘King’ and ‘Queen’ plates – made them highly charged and politicised objects from the […]

Filed Under: Artefacts, Objects, V23 Issue 2

Slit Gongs of the Sepik and Madang Provinces

01/09/2016 By Barry Craig

By Barry Craig, South Australian Museum I have prepared a paper from a dataset of a large number of slit gongs of the Sepik and lower Ramu region, documented during field surveys in 1981, 1982 and 1983, to demonstrate slit gong variations and their repertoire of sculptural form. That paper has too many images to […]

Filed Under: Artefacts, V21 Issue 4, Volume 21

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Latest Journal Stories

25 years of the OAS

Creating change for a quarter of a century: The Oceanic Art Society

Oh boy… 25 years already!

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A Bird-Headed Kanak club in Norwich

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Jutta Malnic (1924 – 20 October 2020)

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The Oceanic Art Society Journal is published 4 times yearly: in March, July, September and December.  View the journal as an … More

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