No End to the Splendid Diversity of Oceanic Art
However much Oceanic art one sees it will never be the case that there is not something new to discover. The vast array of Oceanic art that has graced this …
However much Oceanic art one sees it will never be the case that there is not something new to discover. The vast array of Oceanic art that has graced this …
At what date the Macleay family started collecting objects made by peoples from the Pacific islands is not known. But living in Sydney from the 1830s certainly gave them opportunity …
Lecture to Oceanic Art Society, Sydney, 20 June 2016. Report by Robin Hodgson On Monday 20 June 2016, in the Annexe of the Australian Museum, our visiting lecturer, Mark Blackburn …
By Barry Craig, South Australian Museum I have prepared a paper from a dataset of a large number of slit gongs of the Sepik and lower Ramu region, documented during …
By Robin Hodgson The OAS Tribal Art Fair in Sydney this year on Saturday 23 July was, according to the organisers: ”A good, successful day… Probably the best presentation to …
By Harold Gallasch and Neil McLeod. Melbourne Publishing Group, 2012. 60 pages with colour illustrations. Review by Jim Elmslie This lavishly illustrated book by OAS members, Harold Gallasch and Neil …
Interview with Jim Elmslie, at the NGA Myth + Magic Exhibition, Canberra, August 7 2015 JE – Andrew, you have come a long way from a village in Dagua, and Wewak, …
By Barry Craig This mystery object has been donated to the South Australian Museum. The donor obtained it at a bric-a-brac shop so knew nothing about its provenance. It is …