OAS responds with flexibility during COVID-19
The worldwide virus lockdown has hit all aspects of art and culture particularly hard. Cultural spaces and gatherings are often run on a low budget and it is hard to …

The worldwide virus lockdown has hit all aspects of art and culture particularly hard. Cultural spaces and gatherings are often run on a low budget and it is hard to …

Modern research continues to reveal secrets long held in uncatalogued documents and artefacts in rich archives. The centrepiece of this edition is the story of current research to identify which …

Image: Mathias Kauage ‘Independence Celebration 1999’, Andrew Baker Collection. Image by Mick Richards. The desire to know – curiosity – has long been a motivating force in human endeavour. In …

With so much information available in the modern digital age it sometimes feels that we know, collectively, almost everything. In this edition Professor Ian McNiven shows us that this is …

In this issue of the of the OAS Journal we are fortunate to have Dr Maia Nuku, from the Metropolitan Museum of Art in New York, chart the evolution of …

The 2019 Oceanic Art Society Forum was an intellectual and emotional odyssey. Oceanic art represents and encompasses many things: sublime beauty and irresistible mystery; cultural treasure; markers of colonial dispossession …

The Oceanic Art Society’s Annual General Meeting was held on 10th November at the Middle Harbour 16ft Skiff Club, Mosman NSW – a lovely venue on a sunny day. Twenty-one …

By Jim Elmslie Oceanic Art means different things to different people. Made by indigenous peoples for traditional cultural and utilitarian practice, artefacts are now prized by many people far removed …

by Jim Elmslie Oceanic art creates fascination on many levels. In this edition of the OAS Journal we look at two quite different ways of seeing traditional artefacts. To Dr. …

by Crispin Howarth The Prince Alexander Ranges in northern Papua New Guinea are home to a number of cultures. The largest group are the Abelam with a population of some …

The OAS Forum, held at the Melbourne Savage Club on October 21st, was a fantastic success and the Victorian members of the OAS, especially Dr. Michael Martin, are to be …

After a very successful Tribal Art Fair Sydney, eyes, minds and tastebuds are turning eagerly toward Melbourne. This year’s OAS Forum is to be held at the iconic Savage Club, …

This edition of the OAS Journal once again traverses through time and space exploring aspects of Pacific cultures, from the first contact made by Captain James Cook in Hawaii to …

The OAS has shifted gear under the energetic leadership of our new president, Bill Rathmell, who has revitalised the main OAS committee and various sub-committees working on the website, the …

The Oceanic Art Society is very pleased to announce the election of a new President, Dr. Bill Rathmell. Bill, and his wife, Noelle, have had a long association with the …

After some years in the making, the Oceanic Art Society website is now up and running. This will change the nature of the organisation. While to date the primary mode …

However much Oceanic art one sees it will never be the case that there is not something new to discover. The vast array of Oceanic art that has graced this …

In this edition of the OAS Journal we read the story of George William Mostyn, the third in Barry Craig’s series of short biographies on early collectors for the South …

The world is becoming ever smaller, driven mostly by the increasing interconnectivity provided by the internet. People anywhere can research and access the most obscure and idiosyncratic alleyways of human …

It is with great satisfaction that we can announce that the OAS Journal is finally to join its peers in cyberspace. The OAS Committee, after protracted discussion, has decided to …

This edition of the OAS Journal celebrates the opening of the exciting new exhibition, “Built on Culture: the Art of Papua New Guinea, celebrating 40 years of PNG Independence” on 14th September this year at the National Museum and Art Gallery of Papua New Guinea.

Myth + Magic: The Art of the Sepik River, the new exhibition at the National Gallery of Australia, in Canberra, is all that it was promised to be. A very …

The long anticipated opening of the National Gallery of Australia’s exhibition, Myth & Magic: Art of the Sepik River.
The countdown for the National Gallery of Australia’s landmark exhibition, Myth & Magic; Art of the Sepik River, Papua New Guinea, has started with the grand opening date set for …
