A Successful Year – President’s Report on 2018
The Oceanic Art Society’s Annual General Meeting was held on 10th November at the Middle Harbour 16ft Skiff Club, Mosman NSW – a lovely venue on a sunny day. Twenty-one …
The Oceanic Art Society’s Annual General Meeting was held on 10th November at the Middle Harbour 16ft Skiff Club, Mosman NSW – a lovely venue on a sunny day. Twenty-one …
by Barry Craig My first experience of New Guinea was at Telefomin 1962-1965. I had graduated with a degree in Social Anthropology at University of Sydney 1960, gained a Diploma …
by Antony JP Meyer It all began with the discovery of the Americas by Christopher Columbus in 1492 at the very end of the 15th century when he met with …
by Todd Barlin A passion for collecting over 40 years will showcase not only Oceanic Art but also Artworks from SE Asia, Tibet and Japan. The small group tours will …
by Michael Martin The Royal Academy in London is holding a major exhibition of the art of the Pacific from the 29th September to the 10th December 2018. Entitled “Oceania”, …
Elizabeth (Beth) Pryce is well known to Oceanic art lovers throughout Australia and around the world. A founding member of the OAS and inaugural Secretary, Elizabeth is one of the …
By Jim Elmslie Oceanic Art means different things to different people. Made by indigenous peoples for traditional cultural and utilitarian practice, artefacts are now prized by many people far removed …
Wednesday 19 September – OAS Lecture, 6:30pm, Australian Museum. Barry Craig will be presenting an illustrated talk on: New Guinea: What I Did and What I Saw I went to …
Aboriginal and Pacific art: Collections and artists, then and now. OAS in conjunction with the Art Gallery of New South Wales and Australian Museum, 1-3 February 2019 After the stunning …
Lecture by Michael Hamson, Savage Club, Melbourne, 21 October 2017 This article continues on from Part One which appeared in the last edition of the OAS Journal where Mr. Hamson …
Based on a presentation by Sam Singer at the OAS Savage Club Forum, 2017 I want to thank OAS for bringing all of us, scholars, collectors, museums, dealers, and auction …
by Jim Elmslie Oceanic art creates fascination on many levels. In this edition of the OAS Journal we look at two quite different ways of seeing traditional artefacts. To Dr. …
By Angel Bottaro The preservation of Aboriginal breastplates, with a degree of empathetic imagination, evoke powerful stories of colonisation. The physical weight of the objects around one’s neck and the …
Betni Kalk is a professor of Design at Creighton University in Omaha, Nebraska. As the daughter of missionaries, Betni grew up in the East Sepik Province in Sawiyano territory. She …
Lecture by Michael Hamson, Savage Club, Melbourne, 21 October 2017 Introduction Aesthetics by definition are subjective — being one’s response to and appreciation of beauty. That subjective dimension becomes even …
Jim Elmslie talks with the West Pacific Collection Manager from the Australian Museum about his life and the concept he has developed of museums being a Ples Namel– or middle …
by Crispin Howarth The Prince Alexander Ranges in northern Papua New Guinea are home to a number of cultures. The largest group are the Abelam with a population of some …
Paula Latos-Valier is the Art Director for the Sir William Dobell Art Foundation and chairs the Gallery Advisory Committee for the SH Ervin Gallery. She serves as Vice President of …
By John Greenshields of Adelaide, South Australia I took this photo of Joseph Ayodila at the Milne Bay Canoe and Drum Festival on Alotau, Papua New Guinea, in 2014. I …
by Leif Birger Holmstedt At the end of the Second World War the Danish travel ban ceased and the door had opened to the wider world. Jens Bjerre, a budding …
James (Jim) Sinclair CSM OBE D.Litt, passed away in Queensland’s Sunshine Coast on 9 October 2017. Jim Sinclair was awarded the Order of the British Empire (OBE) in 1992, an …