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Oceanic Art Society Australia

Oceanic Art Society

Promoting the understanding and appreciation of Oceanic art.

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Volume 23

A Successful Year – President’s Report on 2018

23/12/2018 Cover Story, V23 Issue 4

The Oceanic Art Society’s Annual General Meeting was held  on  10th November at the Middle Harbour 16ft Skiff Club, Mosman NSW – a lovely venue on a sunny day. Twenty-one …

New Guinea: What I Did and What I Saw

23/12/2018 Lectures, V23 Issue 4

by Barry Craig My first experience of New Guinea  was at Telefomin 1962-1965. I had graduated with a degree in Social Anthropology at University of Sydney 1960, gained a Diploma …

A Short History of the Tribal Art Market

23/12/2018 History, V23 Issue 4

by Antony JP Meyer It all began with the discovery of the Americas by Christopher Columbus in 1492 at the very end of the 15th century when he met with …

Masterpieces of Oceanic Art from the Todd Barlin Collection during OAS Forum February 2019

23/12/2018 Collections, V23 Issue 4

by Todd Barlin A passion for collecting over 40 years will showcase not only Oceanic Art but also Artworks from SE Asia, Tibet and Japan. The small group tours will …

Oceania: Royal Academy of Arts, London, 29 September to 10 December 2018

23/12/2018 Exhibitions, V23 Issue 4

by Michael Martin The Royal Academy in London is holding a major exhibition of the art of the Pacific from the 29th September to the 10th December 2018. Entitled “Oceania”, …

Elizabeth Pryce and Dee Scott

The Elizabeth Pryce Collection on Centre Stage in Paris

23/12/2018 Collections, V23 Issue 4

Elizabeth (Beth) Pryce is well known to Oceanic art lovers throughout Australia and around the world. A founding member of the OAS and inaugural Secretary, Elizabeth is one of the …

The Art of Collecting

25/08/2018 Cover Story, Featured Slider, V23 Issue 3

By Jim Elmslie Oceanic Art means different things to different people. Made by indigenous peoples for traditional cultural and utilitarian practice, artefacts are now prized by many people far removed …

New Guinea: What I Did and What I Saw

25/08/2018 Next Lecture, V23 Issue 3

Wednesday 19 September – OAS Lecture, 6:30pm, Australian Museum. Barry Craig will be presenting an illustrated talk on: New Guinea: What I Did and What I Saw I went to …

Ninth OAS Forum in Sydney

25/08/2018 Featured Slider, Forums, V23 Issue 3

Aboriginal and Pacific art: Collections and artists, then and now. OAS in conjunction with the Art Gallery of New South Wales and Australian Museum, 1-3 February 2019 After the stunning …

Red Lower Sepik/Ramu mask

Aesthetics of New Guinea Art – Part II

24/08/2018 Lectures, V23 Issue 3

Lecture by Michael Hamson, Savage Club, Melbourne, 21 October 2017 This article continues on from Part One which appeared in the last edition of the OAS Journal where Mr. Hamson …

The Sam and Sharon Singer Collection of Oceanic Art

24/08/2018 Collections, V23 Issue 3

Based on a presentation by Sam Singer at the OAS Savage Club Forum, 2017 I want to thank OAS for bringing all of us, scholars, collectors, museums, dealers, and auction …

Different Ways of Seeing

11/06/2018 Cover Story, V23 Issue 2

by Jim Elmslie Oceanic art creates fascination on many levels. In this edition of the OAS Journal we look at two quite different ways of seeing traditional artefacts. To Dr. …

The Social Life of Aboriginal Breastplates: Encoded Objects of Colonisation

11/06/2018 Artefacts, Objects, V23 Issue 2

By Angel Bottaro The preservation of Aboriginal breastplates, with a degree of empathetic imagination, evoke powerful stories of colonisation. The physical weight of the objects around one’s neck and the …

SAWIYANO: Life in the East Sepik Province

11/06/2018 Next Lecture, V23 Issue 2

Betni Kalk is a professor of Design at Creighton University in Omaha, Nebraska.  As the daughter of missionaries, Betni grew up in the East Sepik Province in Sawiyano territory. She …

Aesthetics of New Guinea Art

11/06/2018 Lectures, V23 Issue 2

Lecture by Michael Hamson, Savage Club, Melbourne, 21 October 2017 Introduction Aesthetics by definition are subjective — being one’s response to and appreciation of beauty. That subjective dimension becomes even …

Interview: Dr. Michael Mel

11/06/2018 Interviews, V23 Issue 2

Jim Elmslie talks with the West Pacific Collection Manager from the Australian Museum about his life and the concept he has developed of museums being a Ples Namel– or middle …

Art of the Prince Alexander Ranges at the NGA

05/03/2018 Cover Story, Galleries, V23 Issue 1, Volume 23

by Crispin Howarth The Prince Alexander Ranges in northern Papua New Guinea are home to a number of cultures. The largest group are the Abelam with a population of some …

Interview with Paula Latos-Valier

05/03/2018 Interviews, V23 Issue 1, Volume 23

Paula Latos-Valier is the Art Director for the Sir William Dobell Art Foundation and chairs the Gallery Advisory Committee for the SH Ervin Gallery. She serves as Vice President of …

A Canoe Named Ealamai’iea, or Patience ©

05/03/2018 Research, V23 Issue 1, Volume 23

By John Greenshields of Adelaide, South Australia I took this photo of Joseph Ayodila at the Milne Bay Canoe and Drum Festival on Alotau, Papua New Guinea, in 2014. I …

Jens Bjerre – Danish Adventurer

05/03/2018 Collections, V23 Issue 1, Volume 23

by Leif Birger Holmstedt At the end of the Second World War the Danish travel ban ceased and the door had opened to the wider world. Jens Bjerre, a budding …

Vale Jim Sinclair

05/03/2018 In Memoriam, V23 Issue 1

James (Jim) Sinclair CSM OBE D.Litt, passed away in Queensland’s Sunshine Coast on 9 October 2017. Jim Sinclair was awarded the Order of the British Empire (OBE) in 1992, an …

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Latest Journal Stories

Ka ‘Ula Wena: Oceanic Red

Tiki Collecting: Production, Purpose and Scale

SEA Art: South East Asian Art

De ma peinture surgit et survit mon âme [From my painting, my soul emerges and lives on]

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Wareemba NSW 
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