By Jim Elmslie Oceanic Art means different things to different people. Made by indigenous peoples for traditional cultural and utilitarian practice, artefacts are now prized by many people far removed from their geographical origins. Just why this is so is sometimes hard to fathom. In the last edition of the OAS Journal, and continuing in […]
New Guinea: What I Did and What I Saw
Wednesday 19 September – OAS Lecture, 6:30pm, Australian Museum. Barry Craig will be presenting an illustrated talk on: New Guinea: What I Did and What I Saw I went to New Guinea in 1962 as an Education Officer (‘chalkie’) and asked to be posted to Telefomin where I remained until 1965. I returned to Telefomin […]
Ninth OAS Forum in Sydney
Aboriginal and Pacific art: Collections and artists, then and now. OAS in conjunction with the Art Gallery of New South Wales and Australian Museum, 1-3 February 2019 After the stunning success of the 8th OAS Forum at the Savage Club in Melbourne in October last year, the Forum 2019 Subcommittee convened by Chris Boylan is […]
Aesthetics of New Guinea Art – Part II
Lecture by Michael Hamson, Savage Club, Melbourne, 21 October 2017 This article continues on from Part One which appeared in the last edition of the OAS Journal where Mr. Hamson looked at the criteria of Age; Technical Virtuosity, and Clarity in assessing New Guinea art. Colour It is hard to over-emphasize the importance of colour […]
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The Sam and Sharon Singer Collection of Oceanic Art
Based on a presentation by Sam Singer at the OAS Savage Club Forum, 2017 I want to thank OAS for bringing all of us, scholars, collectors, museums, dealers, and auction houses together for this auspicious and exciting symposium. My father, J.R. Singer, was a navigator on the ships of U.S. Army Transport Service in World […]
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