Melanesian Plumes and Lullabies
Two significant exhibitions including Melanesian artworks are currently on show in Europe. The Wereld Museum in Leiden in the Netherlands was host to the most recent Pacific Arts Association International …

Two significant exhibitions including Melanesian artworks are currently on show in Europe. The Wereld Museum in Leiden in the Netherlands was host to the most recent Pacific Arts Association International …

The Pacific Cultures Gallery enters hibernation as collections receive conservation care, while the South Australian Museum collaborates with Pasifika communities to reimagine its future displays.

Mutuaga, a master carver from Papua New Guinea, gained recognition through the Kwato Mission and established trade routes, fostering the promotion of his art and cultural identity.

The "Plumes from Paradise" exhibition at Musée Quai Branly explores the cultural significance of birds of paradise in Papua New Guinea and their influence on Western art, history, and fashion.

The book "Ernst Heinrich: An Extraordinary Collector" chronicles the life and legacy of Ernst Heinrich, highlighting his significant contributions to collecting Oceanic art in 20th-century Europe.

The Newcastle Art Gallery showcases Brian Robinson's "Multiverse," a major exhibition featuring his linocut prints, sculptures, and digital animation, celebrating Torres Strait Islander culture and creativity.

In line with the theme of the articles in this edition, the Oceanic Art Society is also changing. A new and free full digital subscription for everyone Under 30 has been launched.

September 16, 2024, marked the 50th anniversary of Papua New Guinea’s independence from Australian administration. To commemorate this milestone, the National Archives of Australia embarked on multiple projects connecting our collections to PNG communities both in Australia and overseas.

Carved anthropomorphic figures of Pacific Oceania are known by the general term of tiki. Their place in protohistoric architecture was first recorded in the accounts of explorers, scientific observers and missionaries between 1769 and the 1800s, as new belief systems were being superimposed on island cultures.

You have to travel to the southeast of the island of Taiwan, to Taitung, to see this remarkably up-to-date Museum of Prehistory. But for Oceanic arts, culture and anthropology buffs, it is very much worth the effort.

The title of this book summarises so simply but accurately the contents of this important book that was launched at the Oceanic Art Society’s XIII Forum “Papua New Guinea Art: Past, Present, Future” in Canberra celebrating Papua New Guinea’s (PNG) arts.

Meet Our Members I grew up in Wynyard on the North West coast of Tasmania and spent many happy hours exploring the shoreline at places like Rocky Cape where I …

The 50th anniversary of independence of Papua New Guinea has been a great opportunity for Australians to really engage with PNG art both traditional and modern. This theme was at …

by Yatha Baram and Nicolas Garnier The large artwork Nawian acquired in June 2025 by the National Gallery of Australia is part of a broad project at the crossroad between …

Sydney Oceanic Art Fair was held on the weekend of 1 and 2 November at Art Leven in Redfern, Sydney. A highly successful Gala Preview and Auction held on the …

Boomalli Aboriginal Artists Co-operative, 24 October 2025 – 31 January 2026 Review by Margaret Cassidy Two years in the preparation, this exhibition is a retrospective of fifty years of art …

By Carol E. Mayer, 2025, 226 pages, Museum of Anthropology at University of British Columbia, Vancouver. Review by Margaret Cassidy

Twenty-five members of the Oceanic Art Society gathered for a thirtieth birthday lunch at the Centennial Homestead, set in the grounds of Centennial Park in Sydney on Sunday 1 February.
