The Sam and Sharon Singer Collection of Oceanic Art
Based on a presentation by Sam Singer at the OAS Savage Club Forum, 2017 I want to thank OAS for bringing all of us, scholars, collectors, museums, dealers, and auction …

Based on a presentation by Sam Singer at the OAS Savage Club Forum, 2017 I want to thank OAS for bringing all of us, scholars, collectors, museums, dealers, and auction …





by Jim Elmslie Oceanic art creates fascination on many levels. In this edition of the OAS Journal we look at two quite different ways of seeing traditional artefacts. To Dr. …

By Angel Bottaro The preservation of Aboriginal breastplates, with a degree of empathetic imagination, evoke powerful stories of colonisation. The physical weight of the objects around one’s neck and the …

Betni Kalk is a professor of Design at Creighton University in Omaha, Nebraska. As the daughter of missionaries, Betni grew up in the East Sepik Province in Sawiyano territory. She …

Lecture by Michael Hamson, Savage Club, Melbourne, 21 October 2017 Introduction Aesthetics by definition are subjective — being one’s response to and appreciation of beauty. That subjective dimension becomes even …

Jim Elmslie talks with the West Pacific Collection Manager from the Australian Museum about his life and the concept he has developed of museums being a Ples Namel– or middle …
