Times Are A Changing
In this issue of the of the OAS Journal we are fortunate to have Dr Maia Nuku, from the Metropolitan Museum of Art in New York, chart the evolution of …
Pacific Arts Association International Symposium, March 24 – 28, Brisbane
By Pierre Laffont The XIII Pacific Art Association (“PAA”) international Symposium took place over four days on 24-28 March in Brisbane. It was organised by the Queensland Museum in partnership …
Bridge and barrier: Torres Strait and curious artefact distributions between Queensland and New Guinea
In this talk, Ian McNiven will outline what he calls the “Coral Sea Cultural Interaction Sphere” as a framework to help shed light on why some ethnographic artefact types are …
Expanding the Visual Canon: Fifty years of Oceanic art at the Metropolitan Museum of Art (1969-2019)
By Maia Nuku The Metropolitan Museum of Art’s collection of Oceanic art includes over two thousand works of art from the Pacific: ancestral treasures handed down across the generations that …
Review: Oceania
by Marina Garlick Oceania is the title of the catalogue of the eponymous exhibition held at the Royal Academy of Arts in London to mark 250 years since James Cook …
Collectors and Collections: OAS Forum 2019 a Triumph
The 2019 Oceanic Art Society Forum was an intellectual and emotional odyssey. Oceanic art represents and encompasses many things: sublime beauty and irresistible mystery; cultural treasure; markers of colonial dispossession …
Melanesian art: redux
By Natalie Wilson, Curator Australian & Pacific Art, Art Gallery of New South Wales In November, the Art Gallery of New South Wales will celebrate the life and art of …
Interview: Crispin Howarth on Maori Markings: Ta Mokoat the NGA
Jim Elmslie interviews Crispin Howarth, Curator of Pacific Arts at the National Gallery of Australia on the stunning new exhibition of Maori facial markings that will open in Canberra on …