BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Oceanic Art Society - ECPv6.15.11//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Oceanic Art Society
X-ORIGINAL-URL:https://www.oceanicartsociety.org.au
X-WR-CALDESC:Events for Oceanic Art Society
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Australia/Sydney
BEGIN:STANDARD
TZOFFSETFROM:+1100
TZOFFSETTO:+1000
TZNAME:AEST
DTSTART:20250405T160000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+1000
TZOFFSETTO:+1100
TZNAME:AEDT
DTSTART:20251004T160000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+1100
TZOFFSETTO:+1000
TZNAME:AEST
DTSTART:20260404T160000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+1000
TZOFFSETTO:+1100
TZNAME:AEDT
DTSTART:20261003T160000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+1100
TZOFFSETTO:+1000
TZNAME:AEST
DTSTART:20270403T160000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+1000
TZOFFSETTO:+1100
TZNAME:AEDT
DTSTART:20271002T160000
END:DAYLIGHT
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260201T130000
DTEND;TZID=Australia/Sydney:20260201T153000
DTSTAMP:20260730T022930
CREATED:20251222T065551Z
LAST-MODIFIED:20251222T065551Z
UID:26410-1769950800-1769959800@www.oceanicartsociety.org.au
SUMMARY:Oceanic Art Society 30th Anniversary Lunch
DESCRIPTION:  \nMake space in your diary to attend the Beginning of the Year lunch to celebrate the 30th Anniversary of the Oceanic Art Society. \nBook your ticket today to our anniversary lunch at the wonderful Centennial Homestead set in the glorious grounds of Centennial Park in Sydney\, Australia. Gather with like-minded lovers of Oceanic art in the main dining room to enjoy the good food and convivial conversations. \nOceanic Art Society 30th Anniversary Lunch \n13:00 pm – 15:30 pm\, Sunday 1 February 2026 \nCentennial Homestead\, 1 Grand Drive\, Centennial Park\, NSW \nYour ticket will provide you with a two-course set menu meal at the Centennial Homestead. You will need to pay for your own drinks on the day. Please email info@oceanicartsociety.org.au with any special dietary requirements including vegetarian\, gluten free\, vegan.
URL:https://www.oceanicartsociety.org.au/event/oceanic-art-society-30th-anniversary-lunch/
LOCATION:Centennial Homestead\, 1 Grand Drive\, Centennial Park\, NSW\, Australia
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261114
DTEND;VALUE=DATE:20261115
DTSTAMP:20260730T022930
CREATED:20260502T052420Z
LAST-MODIFIED:20260729T072527Z
UID:26674-1794614400-1794700799@www.oceanicartsociety.org.au
SUMMARY:Oceanic Art Society Forum XIV
DESCRIPTION:The Oceanic Art Society will be holding its Fourteenth Forum on Saturday 14 November 2026 in conjunction with the opening of Billy Missi’n Waikan Thamai\, a national touring exhibition presented by NorthSite Contemporary Arts in partnership with Torres Strait Regional Authority’s Gab Titui Cultural Centre  (TSRA)\, and toured by Museums & Galleries Queensland. \nForum Title: Art and Material Culture of the Torres Strait Islands\nDate: Saturday 14 November 2026\nLocation: Burrinja Cultural Centre\, 351 Glenfern Rd\, Upwey\, Victoria \nKeynote Speakers\n\nDr Leah Lui-Chivizhe\, a cultural historian of the Torres Strait Islands and Scientia Senior Lecturer and researcher at the University of NSW.Her current research focuses on how nineteenth century collections from the region can revitalise and reconnect Islanders with our pre-colonial histories of human and more-than-human relations and contribute to the decolonising practices of collector institutions. Her book\, Masked Histories: Turtle shell masks and Torres Strait Islander people (2022)\, was highly commended for Australian History in the 2023 NSW Premier’s History Awards.\n\nMeriam koskir: objects\, stories and knowledge \nIn this keynote\, Leah will reflect on her collaborative work with Aunty Elsa Day on ‘Meriam koskir: turdi a pe uridli’ for the exhibition\, Fault Lines: Imagining Indigenous futures for colonial collections held in 2024-2025 at the Museum of Archaeology and Anthropology\, University of Cambridge. \n\nProfessor Ian McNiven\, Research Professor of Indigenous Archaeology at the Monash Indigenous Studies Centre at Monash University in Melbourne and a Chief Investigator with the ARC Centre of Excellence for Indigenous and Environmental Histories and Futures. He has undertaken anthropologically informed archaeological research in collaboration with numerous Torres Strait Islander communities for 30 years. He is passionate about Aboriginal and Melanesian material culture and how ethnographic objects can help understand the deep past.\n\nFraming the history of Torres Strait art \nThe historical development of European artistic traditions is well understood and critical to the appreciation of associated artworks. But what do we know about the long-term historical development of Indigenous artistic traditions? Indeed\, how do we even frame such histories in the absence of textual records? This presentation explores how museum ethnographic objects and archaeological evidence can be used to help understand the long-term historical development of Torres Strait artistic traditions over the past 1000 years. \n\nDr Jude Philp\, Senior Curator\, Macleay Collections at the Chau Chak Wing Museum\, University of Sydney. Her education from people in Zenadth Kes was part of her PhD in social anthropology. With Anita Herle\, Philp edited Recording Kastom (SUP\, 2020) a publication of Haddon’s field diaries.\n\nArt/History/Life: the collections of A.C. Haddon in Torres Strait.  \nHaddon famously worked with the peoples of Zenadth Kes between 1888 and the 1930s\, and during his major fieldwork in 1888 and 1898 collected thousands of Islanders belongings\, commissioned those he could not purchase\, and took hundreds of photographs. Stored mainly within the British Museum and Cambridge University Museum of Archaeology and Anthropology\, these belongings hold stories old and new\, some personal and some public. This talk focuses is on the public side of the collection and those Islanders who worked closely with Haddon. \n\nDaniel Dow\, Komet and Peibre Tribes of Mer\, Murray Island group (Kemer Kemer Meriam)\, Project Officer\, Repatriation Project at the Museum of Queensland\n\nWhat’s so Secret about the Sacred?  \nIn story and song\, Daniel Dow sheds some light on some of the more mysterious aspects of working with First Nations cultural material. Gain an understanding of the spiritual challenges our First Nations Team face in their work\, and how you can support it. \n\nTheo Tremblay\, Master Printmaker from Cairns\, Queensland. He is a pioneer of collaborative printmaking and publishing\, mentoring Aboriginal and Zenadh Kes (Torres Strait) artists in a range of print over many years. After studying at the Boston Museum School he continued further studies in printmaking at the Ruskin School at Oxford University\, Prahran CAE\, Melbourne and College of Fine Arts at UNSW) In 1977 he co-founded the Australian Print Workshop in Melbourne. From 1981 – 91 he taught drawing and lithography at the Institute of the Arts\, Canberra and established No Fixed Press\, printing collaboratively with artists since that time.\n\nGoing South\, Looking North: Tracking Contemporary Zenadh Kes Printmaking \nTheo will provide a historical overview of the evolution of contemporary printmaking as a major movement in Northern Queensland from the mid-1970s to the present current scale and complexity examining successes\, weaknesses\, opportunities\, threats thus exposed. \n\nWaku – Minaral A Minalay\n\nScreening of David Bridie’s film about Christine Anu (10 mins) about the production of her 2024–2026 project\, Waku – Minaral A Minalay\, her first original album in 20 years. This follows their collaboration on her iconic 1995 debut Stylin’ Up. \n\nBilly Missi’n Wakain Thamai\, official exhibition opening \n\nThis is exhibition honours the late Torres Strait Islander artist Billy Missi (1970-2012)\, born on Mabuiag Island who was deeply influenced by the storytelling\, song\, and dance traditions of his Wagadagam Tribe. Beginning in earnest in the 1990s\, his artistic journey combined traditional carving techniques with modern linocut methods\, creating a unique aesthetic that earned international recognition before his passing in 2012. \nBilly Missi’n Wakain Thamai is a national touring exhibition presented by NorthSite Contemporary Arts in partnership with Torres Strait Regional Authority’s Gab Titui Cultural Centre (TSRA) and toured by Museums & Galleries Queensland. \nWelcome to Country / Smoking Ceremony \nSong and dance performance by Peggy Missi and Maluilgal Dance Troupe comprising relatives of Billy Missi \n\n  \n  \n\nMore details will follow. Save the date as this event is not to be missed. \nImage: Installation view Billy Missi’n Wakain Thamai\, NorthSite Contemporary Arts\, Bulmba-Ja Cairns\, QLD\, 2020.\nPhotographer Michael Marzik. Courtesy of NorthSite Contemporary Arts.
URL:https://www.oceanicartsociety.org.au/event/oas-forum-xiv/
LOCATION:Burrinja Cultural Centre\, Upwey\, Victoria\, Upwey (Melbourne)\, Victoria\, Australia
ATTACH;FMTTYPE=image/jpeg:https://www.oceanicartsociety.org.au/wp-content/uploads/2026/05/Installation-view-NorthSite.jpg
ORGANIZER;CN="Oceanic Art Society":MAILTO:info@oceanicartsociety.org.au
END:VEVENT
END:VCALENDAR