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Oceanic Art Society

Promoting the understanding and appreciation of Oceanic art.

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About Crispin Howarth

Crispin Howarth is the curator for Pacific Arts at the National Gallery of Australia. He is a previous president of the Oceanic Art Society and has travelled in the Ramu and Massim areas of Papua New Guinea to learn about the arts of these regions. He has curated numerous exhibitions and published over 50 articles on Oceanic art including for the Masterpieces of New Guinea Art (Turvuren, Belgium), Oceanic Arts Pacifica (Casula Powerhouse) and Red Eye of the Sun: Art of the Papuan Gulf (San Francisco) exhibition catalogues. His main publications are the four exhibition catalogues Gods, Ghosts & Men (2008), Varilaku: Pacific Arts from the Solomon Islands (2011), Kastom: Art of Vanuatu (2013) and Myth + Magic: Art of the Sepik River (2015).

Mugus – the terrible blind god, the lord of pigs – a unique sculpture from Papua New Guinea

13/11/2017 By Crispin Howarth

By Crispin Howarth, Curator, Pacific Arts, National Gallery of Australia Since the mid-1920s, this masterpiece of Oceanic sculpture with its gently twisting elongated torso, oversized hands and stout powerful legs […]

Filed Under: Research, V22 Issue 5

New Britain art in the Melanesian Gallery

01/03/2017 By Crispin Howarth

By Crispin Howarth, Curator Pacific Arts, NGA The majority of the National Gallery’s Pacific Arts collection comes from Papua New Guinea; the newly reinstalled Melanesian gallery reflects this with arts […]

Filed Under: Galleries, V22 Issue 1

Unpacked: The Reverend Fellows collection of Trobriands art

01/11/2016 By Crispin Howarth

Public lecture by Crispin Howarth: Held at the National Gallery of Australia is a little known, rarely shown but very significant collection of Massim Art. Amassed in the late 19th […]

Filed Under: Lectures, V21 Issue 5

Tribal Art London, 2 – 5 September 2015

01/11/2015 By Crispin Howarth

Up until the early 1990s Great Britain had quite a number of tribal art dealers, auction houses ran specialist sales and London was central to collecting tribal art. International shifts […]

Filed Under: All Journal Articles, News, V20 Issue 5, Volume 20

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Latest Journal Stories

Personal Encounters

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Tattooed History: The Story of Mokomokai

Jude Philps showing Bill Rathmell

Pacific Views

Balgo: The Creative Country

At the intersection of ancient and contemporary

At the intersection of ancient and contemporary

Sydney Oceanic Art Fair - SAOF 2021

Sydney Oceanic Art Fair – SAOF 2021

Journals

The Oceanic Art Society Journal is published 4 times yearly: in March, July, September and December.  View the journal as an … More

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